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Picture: Midge Maisel (Rachel Brosnahan) zips up the dress of a Parisian drag queen. (Screenshot from “The Marvelous Mrs. Maisel”) – – – – – – – – – So I just finally started watching “The Marvelous Mrs. Maisel” on Amazon Prime. I was resisting, because the reviews were so glowing, and I thought, “Meh, […]
Tiffany in Mumburger is gay but it’s not something that is discussed as an issue in her relationship with her parents because it isn’t an issue. It’s a part of her but it’s not the thing that defines her in her life or her story in the play. The more we see LGBTQ people having […]
I’ve stretched myself out of my comfort zone twice thus far in 2019. Surprisingly, I feel pretty good about this even though it appears neither leap will pan out in ways we might consider successful. First, I applied to The Creative Nonfiction Writers Fellowship – a ten-part intensive workshop series for ten experienced nonfiction writers. […]
Next week, the Community Supported Art series presents You Can Call Me Al at the New Hazlett Theater on the Northside. I asked storytelling and artist Ali Hoefnagel to talk with us about their performance. You Can Call Me Al is a long-form story about growing up, getting gay, coming out, living with mental illness, and uncovering family […]
Intersectionality is how to understand Etty Hillesum. She insists on not being defined by her circumstances (the Holocaust, yet unnamed), by her gender, by her religion, race, age, class, sexual orientation, political leanings. And yet she identifies herself as a woman, as a Jew, as a 28 year old middle class Dutch student. She is a truth seeker and digs deeply into her own self to work herself out. – See Etty the Play at Carnegie Stage February 7-10, 2019.
I tend to have two favorite aspects of stage management. The first is seeing a production through from start to finish. I love the process of making a play from first table read until closing day. Theatre evolves and is different each performance, and in that way it’s truly a living, breathing art. Every once in a while, a production comes along that just sticks with you. I’ve been fortunate enough to experience several of those shows at City Theatre.
The second favorite aspect is successfully calling difficult cues. I get a sense of small victory after I tackle a particularly challenging sequence, and I appreciate that it keeps my senses sharp.
How do you describe your identity? In a nutshell, I’d say I’m a brown queer genderfluid immigrant. My gender identity varies day by day. Style has been one of my most consistent modes of self-care because I can fully express myself through it, especially when I’m working in institutions where I’ve felt silenced.
Cirque du Soleil is back. The amazing sow, Corteo, will be at the PPG Paints Arena from January 16-20, 2019 for just 7 performances in this limited run. Tickets start at $59. Cirque holds a special place in my heart. My first performance was the evening we learned that our oldest niece was going to […]
In mid-January, Carnegie Stage is hosting a tribute to Shakespeare on January 19 and 20, 2019. All About Will: Two One-Act Plays, including Friended by Shakespeare Written and Performed by Charles David Richards and Mrs Shakespeare, Will’s first & last love Written, compiled and performed by Yvonne Hudson. Tickets range from $5 to $15. We had a chance to […]
City Theatre announces the details of the third show of the season: Where Did We Sit on the Bus? written and performed by Brian Quijada. Where Did We Sit on the Bus? stages a hip-hop autobiography about growing up Latinx in a world that categorizes everyone in black and white. It is directed by Chay […]
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